luministimods: (Default)
Luministi Mods ([personal profile] luministimods) wrote in [community profile] luministi2011-09-10 11:35 pm

❧ Life's An Adventure

[surprisingly, a private text message is sent not to the device Nathan left behind but to all of the residents' CATs. it reads:]

Get to the nearest door and wait. When the alarm sounds, immediately go through the door and await the next signal.

[surely such a text is confusing, but the sender hopes those words are heeded. ten minutes after it's sent, all vidscreens in the town begin to flash red, and a wailing siren breaks the din. the only word that flashes on screen is:]

EVACUATE


[similarly, back in the spacestation, red flashing lights drop down from the ceiling and a constant, beeping alarm begins to ring. over this, a pleasant and feminine automated voice says:]

Please find the nearest exit and evacuate the station via escape pod. A distress signal has been sent to the closest galactic space authority. Those with small children are asked to--[but this message is interrupted with another]

Life support systems in sectors A through L are at 80%--65%--50%. Life support failure in sectors A through L is imminent. Warning, please evacuate sectors A through L immediately. Warning...

[the automated voice continues with warnings about those sectors--but oddly enough, nothing is wrong in the spacestation itself. no one is evacuating, and in fact, no one can be seen fleeing from the town. the only people who should be in the station are the residents, if they all heeded the text message's warning and went through their respective doors at the right time. all doors brought everyone back to the observation deck, near the first hallway that used to lead to the Mayor's house.

suddenly, Nathan's device begins to chime and an audio message from him begins to play. (oddly enough, the automated voice's warning messages soften, like the volume's been turned down.]


Oh good, you made it out safe! I didn't think that person would...[he trails off] Anyway! I've had a bit of help and I think I can finally get you out of there. I'm sorry though, but I can't get you back into town. I had to shut off life support there to distract those in charge, but I also managed to open up access to the lower level. I can't find the staircases, but the elevator should be working now, so you'll have to use that. This is your chance, everyone! Find the one responsible for this mess and find Lab #3. Contact me if you need me.

[the audio transmission ends. a moment later, there's a soft "ding" as the elevator set behind the Maintenance door in the nearby hallway opens, ready for occupants to board it.

shame it won't be a simple elevator ride.]



❧ Plot Details: Life's An Adventure **Quick-time Event**
    Thank goodness everyone (hopefully) got out in time! Staying in town during that life support shutdown would have been...unfortunate (and if anyone DID want to stay behind during that? Let me know.) But who sent that helpful text if it wasn't Nathan? Was it Audrey? Was it someone else? Was Nathan just pulling a fast one? In any case, now everyone can move on to, well, the final level if we take it in RPG terms.

    Funny that though...

    For this quick-time event, we are going to keep things to this entry. You'll be given a choice of going up or down in the elevator. Actually...just about every action in this plot is based around choice, and fittingly too. Depending on how much you discover during this plot--there are four objectives that can possibly be fulfilled (and they don't all have to be by every person)--the outcome will shape the end of this plot, the game, and next season as well. I'll have a list at the bottom of this entry so people can easily see how many objectives have been completed. You'll only have a week! Keep in mind that only one objective--the main one--has to be accomplished by week's end and things will not progress until it's accomplished. (If we accomplish the main one before the week is done, I will still wait the full week before going ahead with the second half of this plot.)

    So what are we doing in this mad week-long event? Like I said before, you'll be given a choice of taking the elevator up or down. From there, you'll be given the another choice via vidscreen about which direction you want to go in. Sometimes it'll be two choices, other times it'll be three. But nonetheless, you'll have to make a choice--and you'll have to make the choice in the style of a text adventure. This is a bit of a hybrid rather than a straight text adventure, though. You can talk to people normally and interact with them as you would do in a normal action thread, but when you go to make your choice or wish to interact with the environment (you don't have to do it for every single step or anything), you'll basically be inputting your command to help the adventure to progress. If you don't ever interact with the environment or make a choice, well, you're stuck in that room. Kind of a boring adventure, being stuck in a room.

    If this explanation isn't quite making sense, I did a mock-scenario of this to illustrate the hybrid/pseudo-text adventure I'm talking about. Head here! Hopefully that helps explain things? If it didn't, please, please don't be afraid to ask me. The first two comments to this entry will be for the IC interaction, and any additional ones can be for OOC comments/questions.

    I do advise that while you can go in groups, please keep them small so we can go through things at a steady pace. Heck, if you want? You can even solo this and interact just with, well, me as the text adventure prompts, and then contact people if you find something. I just ask that if you want to solo it, that you indicate your intentions in the subject line to whichever direction you wish to go in the elevator.

    Threadhopping via the CATs can still happen, especially if you or someone else learns something that might be important for the others to know. (Of course, if you want to join in physically, you can do it like this.) Also, I do recommend tracking your threads, especially when I pop in with prompts and disrupt the notification process. (And let's hope varnish errors are few to none!)

    So...that's it! If you have any questions/comments/etc, leave them here or get a hold of me through the normal channels! And before I leave, here's our handy objectives list!


    Objectives!

[identity profile] manicurious.livejournal.com 2011-09-14 05:50 am (UTC)(link)
>You wonder why someone would bother painting a staircase like this. It seems like a colossal waste of time! Putting that out of your mind, you stare at the VIDSCREEN. It piques your curiosity, but you remember the last time you entered a strange place and turned on a mysterious transmission device. You are already SCARED AND UPSET, and you would rather not lose body parts.

>You begin having SECOND THOUGHTS. You really should have waited for someone else to come along and accompany you. What if something comes after you? It begins to dawn on you that you will probably die here. You clutch your CAT since it is probably your only lifeline.

>You really need to calm down and mull this over a little more. You head for the CENTER of the room, intending to sit at the CIRCULATION DESK and rest a little to clear your head. You vaguely hope that you find some kind of CLUE on the desk, but in reality you DON'T REALLY GIVE A SHIT and just want to relax here until SOMEONE STRONG AND ATTRACTIVE comes to rescue you.

ooc: I'm cracking up

[identity profile] manicurious.livejournal.com 2011-09-15 04:51 am (UTC)(link)
>You stare blankly at the GIANT PAPERCLIP and wonder if someone drugged you at some point. You have never seen anything so UNBELIEVABLY SILLY in your life.

>You decide to just roll with it though. The CREEPILY LARGE OFFICE SUPPLY seems to have good intentions. It may not be SOMEONE STRONG AND ATTRACTIVE, but a GIANT PAPERCLIP companion is better than nothing at all. Probably. You are KIND OF EMBARRASSED, but you swallow those feelings for a moment as you nod and say, "Yes, please" in response to the GIANT PAPERCLIP'S inquiry.

[identity profile] manicurious.livejournal.com 2011-09-15 11:52 pm (UTC)(link)
>You quirk an eyebrow at the GIANT PAPERCLIP'S antics and begin to wonder where you went wrong in life to end up talking to a SENTIENT PIECE OF BENT WIRE.

>You may as well do everything in order, you figure. You point at the DESK and say, "Let's look at the desk first. Is there anything I should know about it?"

[identity profile] manicurious.livejournal.com 2011-09-16 10:06 pm (UTC)(link)
"Hmm, I see. Thank you."

>Perhaps against your better judgment, you decide to trust the PAPERCLIP ASSISTANT and assume that removing items from the desktop will have NEGATIVE CONSEQUENCES. You glance over them but otherwise leave them alone.

>You suppose you'll have to get a little more physical if you're going to find out what the DRAWERS contain, though. Again, probably against your better judgment, you assume that the PAPERCLIP ASSISTANT is correct in its assessment and expect nothing horrible to happen if you leaf through the DRAWERS.

>You give the [TOP OR RIGHT, DEPENDING ON THEIR CONFIGURATION] DRAWER a tug so you can get it open and gently poke around at its contents.

[identity profile] manicurious.livejournal.com 2011-09-16 11:23 pm (UTC)(link)
>You find this BUTTON rather ominous, especially considering its color. You decide to ask the PAPERCLIP ASSISTANT about it specifically, since he(? It?) hasn't led you astray so far.

>You point at the BUTTON.

"What's the purpose of this button?"

[identity profile] manicurious.livejournal.com 2011-09-17 01:34 am (UTC)(link)
>You glance at the PAPERCLIP ASSISTANT'S SIGN to read it. You absolutely do not trust the OMINOUS BUTTON, so you push the RIGHT DRAWER shut without touching the BUTTON.

>You predictably pull at the LEFT DRAWER to check out its contents. While you're at it, you decide to ask the PAPERCLIP ASSISTANT another question to get rid of that ERROR MESSAGE.

"Nevermind. Is there anything I should know about activating the vidscreen?"

[identity profile] manicurious.livejournal.com 2011-09-17 04:39 pm (UTC)(link)
>You never thought you'd think this, but you're actually appreciative of the company of the PAPERCLIP ASSISTANT. Who knows what kind of TERRIFYING THINGS you would encounter if you didn't have it around?

>You push the LEFT DRAWER shut and proceed toward the VIDSCREEN. Your aversion to RISKS makes you inclined to follow the PAPERCLIP ASSISTANT'S INSTRUCTIONS obediently, so you disregard the DOORS for now. You reach out with a finger and firmly poke the VIDSCREEN with increased confidence.

[identity profile] manicurious.livejournal.com 2011-09-17 05:40 pm (UTC)(link)
>The choice comes naturally to you. You recall having a particular fondness for the BREAK ROOM in your casino, and you also recall keeping SEVERAL IMPORTANT AND CLASSIFIED THINGS in there. In addition, your BREAK ROOM was almost never empty.

>Also there might be TREATS there. You like TREATS.

>Compared to the uncertainty of [NAME REDACTED], the BREAK ROOM appeals most to you, for sure.

>You turn to the PAPERCLIP ASSISTANT and nod respectfully toward it, even though it is a PAPERCLIP. You thank it once again for guiding you safely. It's not like anyone is watching, so you only feel MINIMALLY EMBARRASSED about it.

>With that, you press the "A" BUTTON and watch the room for changes.

[identity profile] manicurious.livejournal.com 2011-09-17 11:37 pm (UTC)(link)
>You trust that the door leads to an ACTUAL ROOM rather than some kind of VOID OF TERROR AND LONELINESS, especially after the PAPERCLIP ASSISTANT offers to help you there. You are actually relieved by the offer.

>You nod gratefully toward the PAPERCLIP ASSISTANT.

"Yes, please, if you would. You've been quite helpful so far."

>You proceed through the PITCH BLACK DOORWAY, expecting the PAPERCLIP ASSISTANT to follow.

[identity profile] manicurious.livejournal.com 2011-09-18 03:27 am (UTC)(link)
>You are rather irritated to find that you did not end up in the BREAK ROOM. Unless it's actually THE SHITTIEST BREAK ROOM YOU HAVE EVER SEEN IN YOUR LIFE.

>You give the PAPERCLIP ASSISTANT a quizzical glance before deciding to head to the OTHER FLOOR. What good would backtracking do? Obviously the VIDSCREEN MENU was inaccurate, or perhaps the BREAK ROOM is actually on the OTHER FLOOR. You poke the ELEVATOR BUTTON to move on.

[identity profile] manicurious.livejournal.com 2011-09-18 04:06 am (UTC)(link)
>This is not what you expected. You frown and cross your arms as you walk a lap around the FOUNTAIN and hurriedly glance around the WEIRDLY PROPLIKE BUILDINGS. You take note of the DOORS and VIDSCREEN.

>You stop in front of the PAPERCLIP ASSISTANT and watch its SIGN expectantly.

"Can you tell me anything about this area?"

[identity profile] manicurious.livejournal.com 2011-09-18 04:26 pm (UTC)(link)
>You fish around in your pockets for a COIN, but you don't have one. Damn. You could've probably used a boost in LUCK.

>You contemplate your other options. You don't DANCE unless you're either EXTREMELY INTOXICATED or in the presence of SOMEONE ATTRACTIVE. You are NEITHER. You refuse to have a ROMANTIC SLOW DANCE AMONG THE SPIRES OF THE FOUNTAIN with a PAPERCLIP. You doubt that it can even dance, because it is a PAPERCLIP.

>You decide that this area probably isn't worth your time.

"Let's just activate the vidscreen and move on."

[identity profile] manicurious.livejournal.com 2011-09-18 07:04 pm (UTC)(link)
>You appear to be pleased that the PAPERCLIP ASSISTANT showed some initiative. You rush after it to the VIDSCREEN to ponder your options.

>The choice seems obvious to you. Why wouldn't you choose the TOWN HALL? It seems like an IMPORTANT PLACE where you might find some IMPORTANT THINGS.

>You poke the "B" BUTTON without hesitation.

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